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Con-tact: Science Fiction Convention Previews and Reports
Cadet's Log: 2006 Williamsburg Film Festival - FRIDAY
Page 2 of this day:
Solar Guard Viewing Session 3 I take the plot description from the Solar Guard website:
The Polaris unit is sent out into space to track an asteroid...which suddenly has a course deviation and heads straight for Earth! Dr. Joan Dale, Captain Strong, and the four cadets are tasked with destroying the asteroid before it destroys Earth. These six episodes were a lot of fun. Yes, the special effects were not that sophisticated, but when you think of what early 1950s TV had to work with, they were actually quite impressive. In one scene Captain Strong, Tom and Roger spacewalk in order to repair a fused engine on the Polaris. Strong is knocked off the ship and literally floats in space above their heads, until Tom is able to throw a line to him and pull him in. When I returned to the here and now, I attended the 7 pm panel with Beverly Garland and Mala Powers.
Anita Arliss was so well known in Hollywood, she knew all the heads of the studios. So if she recommended you, then the head of the studio, Warner or Mayer or whatever, would interview you, and you might be able to get a contract and you might be able to make $750 a week and...do bits and pieces in pictures. It was a whole different world than it is today, there were no managers, agents were really not that important, people like Anita Arliss were important. So...it?s a whole different world."
So then I really began to study....I was fortunate...to work with the fabulous actor/director/teacher Michael Checkov who was in Hollywood at that time, and I worked with him for the next seven years, until his death. So that was heaven. I mean, I don?t even know who I would be if I had never met Michael Checkov."
?I guess it is now, yeah," responded Powers. "We didn?t have a film noir category. [Garland agrees.] They didn?t have genres. We just did movies.? "Film noir," explained Ruehlmann, "for those of you who are not film buffs, was called ?black film? by the French, and it was usually post war films that had to do with violence, crime, suspense, and it didn?t have happy endings, typically. It was a sensibility after World War II that things hadn?t gone real well. They were done on low budget, and Robert Mitchum argued, ?We didn?t know we were making film noir. We just thought we didn?t have enough money to light them right.? He then asked Beverly Garland about her experience in her first movie, the Edmund O'Brien film DOA (1950).
DOA ?And it was kind of film noir, wasn?t it?? Garland concluded. ?Oh, yes.? murmured Ruehlmann as Garland continued, with perfect timing. ?It certainly didn?t have a happy ending. He dies. At the beginning of the film. ?You can?t get darker than that.? agreed Ruehlmanm. And he?s still dead at the end.? chimed in Mala Powers, to general laughter. From there, they each discussed their radio work. Garland had her own radio show as a teen in Phoenix, Arizona, , once a week telling the story of a family in need, "and then the Community Chest would step in and solve everything." But when she moved back to Los Angeles the radio community was so enclosed that she found it difficult to get into it. Now, however, she does OTR for CART (California Artists Radio Theater). Mala Powers, on the other hand, did quite a few radio programs - Doctor Christian, Red Ryder, Rocky Jordan. She enjoyed it because she could play any role, young or old, because it didn't matter what you looked like, just what you could do with your voice. Then Beverly Garland spoke of her time working with Roger Corman, and the interesting times he put her through. She also worked with German director Curt Siodmak in a movie called Curucu, Beast of the Amazon in which she was enveloped by a real boa constrictor. Many years later Siodmak apparently called her and apologized to her for putting her in danger. Garland was unaware that she had been in dnager - there had been so many men around during the scene, but Siodmak explained that if the constrictor had chosen to start squeezing her to paste, no one could have stopped it. They spoke of their television work - Beverly Garland was the first police woman on the air in a show called Decoy, which lasted only one season. Mala Powers was asked about Daniel Boone, but pointed out that she had been in the series that starred Dewey Martin, not the one with Fess Parker. The evening ended with an overview of their business concerns - Beverly Garland owns a hotel in California, which she runs with the assistance of her children, and she's currently working on a one-woman show. Mala Powers is an instructor of the Michael Checkov technique of acting and does many acting seminars. After the panel ended many fans went up to the stage and had their photographs taken with the stars. The festival itself had one more day to run, and on Saturday morning I was looking forward to seeing Beverly Garland in the classic Corman film Not of This Earth, and to hear her comments about it afterwards.
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