The Thunder ChildScience Fiction and Fantasy |
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The critics never found it particularly "yeah" worthy, even though the picture was directed by Irvin S. Yeaworth. The public, however, embraced it-decreasing the surface population substantially, yet making a great deal of money for the studio. It was a kind of "Rebel Without A Cause Meets X-The Unknown", starring a young New York actor just getting started in the business. Oh, what was his name? Oh, yeah, Steven McQueen. Whatever happened to that guy? The picture also had a nifty song written by another up and comer, a fella named Burt Bacharach. Well, we all have to start somewhere.
Inverting it quickly away from him, the expendable character actor (Olin Howlin) is slowly devoured as The Blob jumps onto his hand in anticipation of a hearty meal. Mr. Howlin should have known better, having previously encountered giant ants in the sewers beneath Los Angeles in Them!. Warner Bros., who produced the picture, could easily have afforded to "make him a sergeant, and charge the booze." This time around, however, Paramount merely acquired the independent production. With little money at its core, Howlin was to suffer a crueler fate. The Blob, despite its low-budget origins, made a ton of money for Paramount, and packed teenagers into movie theatres from coast to coast. The picture turned out to be a major hit for the studio, and turned young Steven McQueen into a box office king.
There were some genuinely frightening moments in the film, which caused movie goers to gloss over, perhaps, some of the chintzier set-ups and silly dialogue. The sequence in which the pathetic old man, an object of genuine pathos and sympathy, arrives at a local doctor's office for treatment is quite chilling. His body is being consumately consumed by the growing fungus which then attacks the physician in his own examining room, as well as his terrified nurse, devoured in darkness. As human tissue feeds the alien organism with increasing frequency, its mass begins to grow at an alarming rate-as a man-eating snake might inflate with each successive meal. Another memorably ghoulish sequence involves an automobile mechanic devoured, head first, as he writhes convulsively beneath the weight of a lone car being serviced at an empty, after hours filling station. The Blob, pulsating,reddish,and gelatinous, owed its popularity, perhaps, to Bill Cosby's admonition that "there's always room for jello." In this perverse scenario, however, the Jello is eating us for dessert, rather than the other way around.
Venturing out into the woods behind the hotel, we got lost in the fertile foliage and, I confess, couldn't see Forrest for the trees-but that's another story. Disappointed, we took the elevator back down to lobby level. As the doors opened, I spied a familiar and distinguished looking gentleman wearing glasses and a wiry moustache. I nudged my brother who hadn't been paying attention, and pointed toward the ominous figure standing at the doorway. As I did so, the benign satanic Santa pointed back to me in mocking glee. It was, of course, our introduction to the joyous father figure who, like the Pied Piper, had lured so many willing innocents astray. This would be the first of countless encounters with Uncle Forry over the next forty-odd (very odd) years, but it all began on this fateful morning in the city that slaughtered King Kong. Of course, Erwin and I were far from the only young boys venturing far from home to meet our magical, monstrous host. There was a room full of like minded teenagers who had come from various parts of the Eastern Seaboard to meet the man who had coined the term "Sci-Fi," and brought a degree of respectability to a love of Monsters. Among these were Midnight Marquee Press-ident Gary Svehla, actor George Stover, writer Allan Asherman, and a young bespectacled lad by the name of Walter "Wes" Shank, who was already developing a solid reputation as a "collector" of all things fantastic. If Forry, along with Rays Bradbury and Harryhausen, had grown up together in thirties Los Angeles in "First Fandom," then this motley crew may have signaled the beginning of "Second Fandom." I've remained close with all of these depraved souls since then, and we've each retained our love and reverence for those cherished, and Famous Monsters.
This was a significant and frightening warning, I'll have you know for, like the tenants of the dreaded wax museum coffins in Abbott and Costello Meet Frankenstein, this was no "empty" threat, nor was it an empty receptacle...for, in fact, The Blob actually did take up residence within the confines of this not so silly cylinder. Wes, it seems, had developed a relationship with the producers of the film and had actually managed to purchase, not only a number of miniature sets from the picture, but the moody mold itself. We warily separated, moving to opposite sides of the room, leaving space for Wes to walk gingerly toward the uncanny canister, rather as Moses and the frightened Egyptians stood tentatively at opposing ends of the Red Sea before the portentous parting of the waves. Wes grinned in malevolent satisfaction as he gently pried open the lid from the brooding bucket. We each held our breath, as if watching the unearthing of King Tut's Tomb in Egypt. Wes turned the contents of the dreaded drum toward our startled eyes, and there it was...in the flesh or, perhaps, the combined flesh of those hapless victims it had gleefully consumed. It seemed reddish in color and, thankfully, dormant...for the moment, at least. Shank had captured and tamed the creature, and brought it to civilization, merely "a captive to gratify our curiosity." We were each invited to reach into the terrible "tin" and, if we dared, retrieve a piece of the once lethal confection. With a bravery I've never known, I reached blindly into the canister and pulled out a membrane of the monstrous molecule. It felt like a glue of some kind, and stuck to my fingers. Ever protective of the collective mass and integrity of the funky fungus, I was asked by Wes to drop the fragments back into the drum. I responded, somewhat sardonically, that it was after all only a "drop in the bucket." He was not amused, for the sanctity of this legendary screen creature was left in his care and keeping, a responsibility he was never to take lightly. I confessed a grudging respect for his arduous task, and bid a frightened farewell both to The Blob, and its jailor. Should the beast ever escape from its egregious and humiliating confinement, I wanted it to remember "the kindness of strangers".
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